{"id":897,"date":"2018-12-11T00:49:09","date_gmt":"2018-12-11T06:49:09","guid":{"rendered":"https:\/\/thespectaclstg.wpengine.com\/?p=897"},"modified":"2019-06-05T18:45:22","modified_gmt":"2019-06-05T23:45:22","slug":"poetry-by-montreux-rotholtz","status":"publish","type":"post","link":"https:\/\/thespectacle.wustl.edu\/?p=897","title":{"rendered":"Poetry by Montreux Rotholtz"},"content":{"rendered":"<div class=\"single-box clearfix entry-content\" style=\"margin: 10px;\">\n<div class=\"poemscroll\" style=\"font-family: Georgia; line-height: 1.5; font-size: 85%;\">\n<h4>CAVE OF RUBIES<\/h4>\n<div>\n<div style=\"width: 24%; float: left;\">\nnot yet you are<br \/>\nyou tell me I am<br \/>\nsupplicating<br \/>\nits claws in ice<\/p>\n<p>not yet in time<br \/>\nnow rests there<br \/>\nthis cave of rubies<\/p>\n<p>forgets whose hands<br \/>\nwhole bladed<\/p>\n<p>you tell me I am<br \/>\nof the cave lining<\/p>\n<p>I missed it missed<br \/>\nblessed with two<\/p>\n<p>with lines of women<br \/>\nthe sun\u2019s red and<\/p>\n<p>in the stories<br \/>\nfear so grooved<br \/>\nthe mouth of the cave<\/p>\n<p>lining up my eyes<br \/>\nthe sun approaches<br \/>\nwith open palms<\/p>\n<\/div>\n<div style=\"width: 24%; float: left;\">\nthe white bear<br \/>\nwatching the lines<br \/>\nof women<br \/>\nits claws in ice<\/p>\n<p>tried to save my soul<br \/>\nrests in my age<br \/>\nwhile my eye<\/p>\n<p>these are who<br \/>\nsails not yet<\/p>\n<p>bent at the mouth<br \/>\nup my eyes<\/p>\n<p>this corner this cave<br \/>\nof childbirths the ruby<\/p>\n<p>supplicating<br \/>\nwhole bladed<\/p>\n<p>a ruby fire<br \/>\nas this one<br \/>\nand yet I missed it<\/p>\n<p>this corner this white<br \/>\nspilling fine salt<br \/>\nwith a belly<\/p>\n<\/div>\n<div style=\"width: 24%; float: left;\">\nno fear so grooved<br \/>\nas this one yet<br \/>\nI missed it missed<br \/>\nits claws in ice<\/p>\n<p>blessed with two<br \/>\nchildbirths the ruby<br \/>\nsun through<\/p>\n<p>the sun&#8217;s red and<br \/>\nred stalactites filter<\/p>\n<p>with a belly<br \/>\nsupplicating<\/p>\n<p>in the stories a ruby fire<br \/>\nthe sun through which<\/p>\n<p>their claws in ice<br \/>\nred stalactites filter<\/p>\n<p>greased the earth<br \/>\nthe cave lining<br \/>\nmissed how at night<\/p>\n<p>sun&#8217;s echoing sheet<br \/>\nwhole bladed<br \/>\nan underdark<\/p>\n<\/div>\n<div style=\"width: 24%; float: left;\">\nnot yet in this time<br \/>\nof women<br \/>\nthe ruby sun<br \/>\nits claws in ice<\/p>\n<p>with open palms<br \/>\nI am of the cave<br \/>\nthe cave lining<\/p>\n<p>I forget whose<br \/>\ngreased earth<\/p>\n<p>you tell me I am<br \/>\neach fear so<\/p>\n<p>greased the earth<br \/>\nblessed<\/p>\n<p>now rests there rests<br \/>\nin my age<\/p>\n<p>whole bladed<br \/>\nthe mouth of the cave<br \/>\nred stalactites humming<\/p>\n<p>in the sun&#8217;s red<br \/>\nsails cracking in wind<br \/>\nit did not mean to offer<\/p>\n<\/div>\n<\/div>\n<hr>\n<p>&nbsp;<\/p>\n<h4>HOMEWARD<\/h4>\n<pre>\n<div style=\"font-family: Georgia; margin-left: 10%;\">\n&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; my mother rising &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; from the basin \n&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; bathed in dust her chimes \nwe are all &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;wild fallen \nfrightened for you &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;prey \n&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; to exquisiteness to lined cotton linen shadows drawn over \n&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; a lap a woman crested in &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; red string the parallel \n&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; fallen &nbsp;into prayer \n\n&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; what light her think is here \nshe\u2019s twisten \nburied into untoward forget \n&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; blurn bodies half-built &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; my mother rising \n&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; from dust we are all &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;my motherblur \nrightened  &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; these crested doors \nfalling open &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;on a woman \n&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; leaning from a window &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; bathing in red strings her think \n&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; a tufted port &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;her think discourses\n<\/div>\n\n\n\n\n\n\n\n\n\n\n\n\n<hr>\n\n\n\n\n\n\n\n\n&nbsp;\n\n\n\n\n<div style=\"font-family: Georgia;\">\n\n\n\n\n<h4>STATIC<\/h4>\n\n\n\n\nYour body \/ the body of the people. &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; The women ran away \nwhile you talked elections. The crowded square \/ blue and golden screaming. Reset. \n\nFour sheep \/ seven horses &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; from the pain made of sheep and horses take your lips \nyour hair and eyes \/ open to the air \/ slicing wires. I can cut your lips your hair or hunger. \nYour stomach ticking &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; feet as zero like a leg \n\nbobbing in a river. Sea legs \/ bobbing like a tick in a bomb like a bulb in the sea. \nAs the misery to come. &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; All I can sustain is sheaves of kelp \nis damage. I think pretty \/ in safety. The more I killed \n\nthe more I protected \/ a wonder. &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Like pain and those it chews on. \nWhen your hand reaches for the sheep the sea sings \/ for your hand I will give you \ndeath I will give you &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; death for your handful of wires \n\nunload death into you \/ envelope you in the swell and ebb of death \/ the ports \nof death staring at you &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; a port to answer and gradually \/ you envelope \nyou \/ staring at death \/ leave you to soak in death\u2019s salted flowers.\n<\/div>\n\n\n\n\n\n\n\n\n\n<\/pre>\n<\/div>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<hr>\n<hr>\n<p>Montreux Rotholtz is the author of <em>Unmark<\/em> (Burnside Review Press, 2017), which was selected by Mary Szybist as the winner of the Burnside Review Press Book Award. Her poems appear in <em>Black Warrior Review, Boston Review, Prelude, jubilat, Lana Turner,<\/em> and elsewhere. She lives in Seattle.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>CAVE OF RUBIES | HOMEWARD | STATIC<\/p>\n","protected":false},"author":2,"featured_media":909,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[61],"tags":[],"_links":{"self":[{"href":"https:\/\/thespectacle.wustl.edu\/index.php?rest_route=\/wp\/v2\/posts\/897"}],"collection":[{"href":"https:\/\/thespectacle.wustl.edu\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thespectacle.wustl.edu\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thespectacle.wustl.edu\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/thespectacle.wustl.edu\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=897"}],"version-history":[{"count":0,"href":"https:\/\/thespectacle.wustl.edu\/index.php?rest_route=\/wp\/v2\/posts\/897\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/thespectacle.wustl.edu\/index.php?rest_route=\/wp\/v2\/media\/909"}],"wp:attachment":[{"href":"https:\/\/thespectacle.wustl.edu\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=897"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thespectacle.wustl.edu\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=897"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thespectacle.wustl.edu\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=897"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}