{"id":64,"date":"2015-11-16T07:17:41","date_gmt":"2015-11-16T13:17:41","guid":{"rendered":"http:\/\/thespectacle.wpengine.com\/?p=64"},"modified":"2016-05-11T11:23:10","modified_gmt":"2016-05-11T16:23:10","slug":"kiki-petrosino","status":"publish","type":"post","link":"https:\/\/thespectacle.wustl.edu\/?p=64","title":{"rendered":"Poetry by Kiki Petrosino"},"content":{"rendered":"<h4>First Girdle<\/h4>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify;\">For this glob of a girl who feeds like a grub. For her teeming belly-apron. For\u00a0her frowning navel, sunk like a moon in the night-night lake. For the soft\u00a0eggs of flab that hatch in her. Those marbled thighs &amp; indigo veins. That\u00a0mattress flank. This wants a form of firmness, extra-full control with capri-leg grips: nude, pink, black, or blood-blue lace tacked down with hidden\u00a0latex. She\u2019s primed now, a poreless receptacle for presidential-fitness-test-sweat. But consider the criss-crossed orbitals of redness at her waist. Note\u00a0the pinching tugs she sneaks to force the hems of her culottes down. Now\u00a0give her some tape, a belt, a body-liner. Give her a diamond-textured skin for\u00a0prowling dark kitchens after bed. Enough pastel mesh to hold the semi-sweet\u00a0chips melting in her palms. To suspend the cold ingots of white butter she\u00a0thumbs from the fridge. Can\u2019t you come up with a cord to forgive her with?\u00a0Some sort of shaper that may shunt her starfish hands &amp; aphid appetite? At\u00a0night, at night, when all her dream-wishes rise as serpents of smoke on the\u00a0tongue\u2014<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<p>&nbsp;<\/p>\n<div id=\"attachment_82\" style=\"width: 600px\" class=\"wp-caption alignnone\"><a href=\"http:\/\/thespectacle.wpengine.com\/wp-content\/uploads\/2015\/11\/Issue1_Art_Kiki-Petrosino_Bikini-Bridge_Ming-Ying-Hong.jpg\"><img aria-describedby=\"caption-attachment-82\" loading=\"lazy\" class=\" wp-image-82\" src=\"http:\/\/thespectacle.wpengine.com\/wp-content\/uploads\/2015\/11\/Issue1_Art_Kiki-Petrosino_Bikini-Bridge_Ming-Ying-Hong-1024x883.jpg\" alt=\"Images by Ming Ying Hong \/ mingyinghong.com\" width=\"590\" height=\"509\" srcset=\"https:\/\/thespectacle.wustl.edu\/wp-content\/uploads\/2015\/11\/Issue1_Art_Kiki-Petrosino_Bikini-Bridge_Ming-Ying-Hong-1024x883.jpg 1024w, https:\/\/thespectacle.wustl.edu\/wp-content\/uploads\/2015\/11\/Issue1_Art_Kiki-Petrosino_Bikini-Bridge_Ming-Ying-Hong-300x259.jpg 300w, https:\/\/thespectacle.wustl.edu\/wp-content\/uploads\/2015\/11\/Issue1_Art_Kiki-Petrosino_Bikini-Bridge_Ming-Ying-Hong-330x285.jpg 330w, https:\/\/thespectacle.wustl.edu\/wp-content\/uploads\/2015\/11\/Issue1_Art_Kiki-Petrosino_Bikini-Bridge_Ming-Ying-Hong-690x595.jpg 690w, https:\/\/thespectacle.wustl.edu\/wp-content\/uploads\/2015\/11\/Issue1_Art_Kiki-Petrosino_Bikini-Bridge_Ming-Ying-Hong-672x580.jpg 672w, https:\/\/thespectacle.wustl.edu\/wp-content\/uploads\/2015\/11\/Issue1_Art_Kiki-Petrosino_Bikini-Bridge_Ming-Ying-Hong.jpg 1500w\" sizes=\"(max-width: 590px) 100vw, 590px\" \/><\/a><p id=\"caption-attachment-82\" class=\"wp-caption-text\"><a style=\"color: white;\" href=\"http:\/\/mingyinghong.com\" target=\"blank\">ingyinghong.com<\/a><\/p><\/div>\n<h4>Bikini Bridge<\/h4>\n<p>&nbsp;<\/p>\n<p>Stay as long as you like in the water-green shade.<br \/>\nYour blouse sticks to your back in tiny ridges, but your face is cool.<\/p>\n<p>This isn\u2019t your country. You don\u2019t know the bridge-maker who sank his tools<br \/>\nin the sea.<\/p>\n<p>A breeze twists up your bare legs: recall<br \/>\none June morning, when you planted your cold wish under a pink sun.<\/p>\n<p>Now take the spade from your satchel &amp; begin to dig. People say the earth is<br \/>\na body.<\/p>\n<p>You disagree.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<hr \/>\n<p>Kiki Petrosino is the author of two books of poetry: <i>Hymn for the Black Terrific <\/i>(2013)<i> <\/i>and <i>Fort Red Border <\/i>(2009), both from Sarabande Books. She holds graduate degrees from the University of Chicago and the University of Iowa Writer&#8217;s Workshop. Her poems have appeared in <i>Best American Poetry<\/i>, <i>The New York Times, FENCE, Gulf Coast, Jubilat, Tin House<\/i> and elsewhere. She is founder and co-editor of <i>Transom<\/i>, an independent on-line poetry journal. She is an Associate Professor of English at the University of Louisville, where she directs the Creative Writing Program.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>First Girdle | Bikini Bridge <\/p>\n","protected":false},"author":2,"featured_media":165,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[16],"tags":[],"_links":{"self":[{"href":"https:\/\/thespectacle.wustl.edu\/index.php?rest_route=\/wp\/v2\/posts\/64"}],"collection":[{"href":"https:\/\/thespectacle.wustl.edu\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thespectacle.wustl.edu\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thespectacle.wustl.edu\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/thespectacle.wustl.edu\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=64"}],"version-history":[{"count":0,"href":"https:\/\/thespectacle.wustl.edu\/index.php?rest_route=\/wp\/v2\/posts\/64\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/thespectacle.wustl.edu\/index.php?rest_route=\/wp\/v2\/media\/165"}],"wp:attachment":[{"href":"https:\/\/thespectacle.wustl.edu\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=64"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thespectacle.wustl.edu\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=64"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thespectacle.wustl.edu\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=64"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}